Extradition Portland, Oregon
Based in Portland, Oregon, USA, Extradition is an ensemble working at the intersection of composition and improvisation, deliberation and chance, clarity and silence.
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supported by 12 fans who also own “Lecture from Sunday Performance (1962)”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Piece for Cello and Saxophone
by Terry Jennings
supported by 11 fans who also own “Lecture from Sunday Performance (1962)”
Absolutely love this recording. I listen to it at work. I listen to it in the car on the way home from work. I listen to it while falling asleep. Curtis’ cello is so amazing. Just got the vinyl in the mail from Discogs the other day! Can’t wait to play on my hi-fi system!
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Yarn/Wire/Currents Vol. 4
by Yarn/Wire
supported by 10 fans who also own “Lecture from Sunday Performance (1962)”
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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StC Lives I: 51-61-74
by St Celfer™
Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.
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Number Pieces
by John Cage / Apartment House
supported by 10 fans who also own “Lecture from Sunday Performance (1962)”
perfectly calm - it sobers the mind
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